"We usually like, sleep out for Dead tickets like, y'know, all the time and we thought, like, hey, why not for The Who, too, y'know. Townshend also admitted in a talk organised by Barnes & Noble in May 2001 that over the years: ...at a rough guess [he'd destroyed] around 200 guitars... on stage. Caleb Followill on stage with his band Kings of Leon. (Photo: Freedom to Marry/CC BY 2.0). Townshend learned not to throw a lot of sentimental value into his rock machines, but every axe-grinder has their own approach to the guitar-destruction process. Pete's toss would've made Joe Namath proud. Pete Townshend used (and abused) many Fender Telecaster guitars between late 1965 and 1967. That guitar... was... coming... my way. Guns ‘n’ Roses and Velvet Revolver axeman Slash (who has a whole Facebook page dedicated to his guitars, complete with 100,000 fans) would never have this problem, because of a smart decision he made in 1988. As Townshend alludes to, he only does the guitar smashing when he is in the mood to do so, making it a special and almost symbolic moment. Not to be outdone, or appear a loser, I quickly went upstairs and found the half-joint I'd had hidden for over a month. He’s a rock star; he just bought a new one. Pete angrily shouted something to a roadie and booom!, off they went into John's superb "Heaven & Hell." I don’t think anything can really remedy this. Oh boy... now, Pete was furious again. I was in Heaven. In my opinion, probably the best song Entwistle ever wrote. "Did you see the way Pete just looked at you?" ...“She was carried off to hospital. I instantaneously somehow understood. (Photo: Dave Carroll, a Canadian singer-songwriter. Because I was third on line, I never had to bother with donuts and cooling my heels in the Orchestra section. 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One of them has pretty much lived as hard as Slash has—its neck has been broken numerous times and it has a number of cigar burns right on the body. Others, meanwhile, destroy a guitar they love in a moment of anger. It wasn’t, and Russell destroyed the guitar before anyone had the chance to replace it with a cheap equivalent. “My God, they’re throwing guitars out there,” a lyric from the song goes. Can you imagine? I'd be curious to see if my memory is correct regarding the brutal nose-thumbing crudity of this solo. One thing to remember: If you’re going to destroy a guitar, make sure it’s not valuable. Carroll fought back, of course, with music: That song created a PR nightmare for the airline, even affecting its stock price; it eventually scored over 15 million views on YouTube. Townshend went into the solo and started playing blistering lead guitar, absolutely wailing. Evan It was April 1970 and I had slept out for two nights to the immediate south of the marquee of the Fillmore East to get tickets for the Who's Final Performance of "Tommy" at the absurdly ostentatious and downright silly venue, The Metropolitan Opera House at Lincoln Center. Her answer yes sent me into thankful ecstasy. Occasionally, though, he breaks a guitar he really likes. There was a damn orchestra pit! Oh boy... now, Pete was furious again. Whatever had happened while they were offstage, they'd come back out just flaming! It came back all original,” Robinson told Music Radar in 2014. © 2021 Atlas Obscura. Uh Oh... Pete was scowling, obviously furious! “They had to put it in a dry room, get rid of all the mold, take everything apart and refinish—basically rebuild the guitar. Also destroyed was the bass guitar that was used on Hank Williams, Sr.’s last album, the bass that you hear in the song, “Your Cheatin’ Heart“. A Brief History of Rock Stars Destroying Guitars. An audience really had to demand an encore. With "Tommy" over and done, they played a few "oldies" and finished up with "My Generation." ", He then walked over and picked up the bridge of the guitar and slowly walked backwards offstage, miming as if the headstock was a little dog and the strings were the leash, making barking sounds, looking at John for humor-approval, with Ox John laughing out loud. The smashed guitar is currently on display at the EMP Museum in Seattle. Pete had calmed down a bit and threw himself into entertaining the rabble that was desecrating the seats of the Met. But, just as I'd long known that AA113 was the front row on-the-aisle seat in front of Pete Townshend's mic stand at the Fillmore, I'd done my homework and knew, in advance, exactly what seat to request for both the matinee (a matinee!?) From the mid '60s to mid-‘70s – for many The Who’s glory days – Townshend relied on a variety of Gibson electrics and acoustics. Consider supporting our work by becoming a member for as little as $5 a month. Every weekday we compile our most wondrous stories and deliver them straight to you. Jimi was annoyed at this and asked for some lighter fuel. Adams, the artist behind most of our important schmaltz-rock, had most of his instruments tagged by Egyptian customs officials who couldn’t care less whether they were handling a 1957 Martin guitar or a guitar promoted by the guy from Maroon 5. (He can’t play the other; it was stolen from his apartment in 1995.). It must've gone up 15 feet. For those of you who don't know - think of literally every picture you've ever seen of AC/DC's Angus Young or Pete Townshend at Woodstock. Pete was so into his soloing that he didn’t realize he’d been slowly backing up toward his amps and when he did a huge windmill move, he inadvertently smacked the head of the guitar against one of the amplifier stacks so hard that he instantly and totally knocked it hopelessly out of tune. Dang! RS Guitarworks played a key role in saving Rich Robinson’s Gibson ES-335. Pete nodded back a kind of A Ha! The story of guitar damage, of course, starts with Pete Townshend, The Who’s world-smashing guitarist. Pete is also responsible for inventing — or at least inspiring the Marshall stack. I stood there thinking that this was ridiculous. The deep red curtains opened to reveal three Hiwatt stacks on either side of Moon's enormous drum kit (the Fillmore shows were merely two stacks each). By Guitar World Staff . We made it easy for you to exercise your right to vote! Now, as a true Who freak knows, you were always in for a great show if Pete was pissed off. The guitar was eventually repaired, but around the time Nevermind was released, he smashed the guitar again during a live performance of “Endless, Nameless” in Chicago. The Who guitarist Pete Townshend was known to play (and subsequently destroy) batwing style SG Specials until they were discontinued in 1971 and he moved on to different guitars. Besides, I wanted to go make out with Esther for awhile, put her on the subway, and get myself psyched and ready for the next performance. The guitar glided in, face first, and I literally caught it by it's two SG horns. (In case Bryan Adams is reading this, one other factoid: During the summer of ‘69, Pete broke just three guitars.). (Photo: Julio Enriquez/CC BY 2.0). Esther had seen the glance too. Here’s a brief rundown. They launched into "Shakin' All Over" and I mean launched! Winner will be selected at random on 02/01/2021. The story of guitar damage, of course, starts with Pete Townshend, The Who’s world-smashing guitarist. He threw the poor thing on the stage like it was a dinner plate he wanted to shatter, walked into the wings and came back out with another SG Special, plugged it in and tried valiantly to get back his focus. Offer available only in the U.S. (including Puerto Rico). Read More. for The Met shows. That is a Gibson SG - with the two sharp small curved cutaway horns on either side of the neck. season 1 # episode 8 # the adventures of pete and pete. Perhaps Pete Townshend’s work for the Who is a paradigmatic example of this duality. Pete Townshend was known for destroying his guitar after every gig and so of course, Hendrix had to follow suit because apparently, his mad axeslinging skills weren’t enough. This piece of performance art inspired guitarist Pete Townshend of the Who, who was the first guitar-smashing rock artist. It was a Who party on the filthy streets of the East Village. When we walked in, I burst out laughing. 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